![]() ![]() The NETPAC Award went to Thailand’s Patiparn Boontarig who directed Solids by the Seashore. The BIFF Mecenat Award went to Park Soo-nam and Park Maeui’s The Voices of the Silenced, a film that looks into the history of comfort women and Korean laborers forced to serve under the Japanese imperial army and Republic by Jin Jiang (Singapore/ China) about the lives of young musicians. The Kim Jiseok Award, named after the festival’s late programmer, went to Paradise by Sri Lanka’s Prasanna Vithanage and Bride Kidnapping by Kyrgzstan’s Mirlan Abdykalykov. Chowdhury (Bangladesh/ Canada) and September 1923 by Mori Tatsuya (Japan). The newly established LG OLED New Currents & Vision Award went to The Wrestler by Iqbal H. This year, Toyou’s Dream, a webtoon-based production company, signed an agreement with Whynot Media to turn the company’s IP Real:Time:Love into a webtoon and Toyou’s Dream’s The Romantic Merger into “video content.” The two companies also agreed to co-produce Death Rider as a webtoon and video.Įxpanded award categories welcomed emerging filmmakers from across Asia. In Japan, the Korean drama series Vincenzo (2021) was remade into a musical, while director Bong Joon Ho’s Oscar-winning Parasite (2019) was made into a play. Another Taiwanese drama series, Someday of One Day (2019), is set to soon premiere on Netflix under the title A Time Called You. Through past markets, Secret, a Taiwanese film directed by and starring Jay Chou, was made into a Korean remake of the same title. Among the projects chosen for this year’s APM were Rafael Manuel’s Filipina, Hirose Nanako’s What’s Love Got to Do With It? and Jiang Xiaoxuan’s To Kill a Mongolian Horse.īusan Story Market, a key platform for crossover remakes in Asia, introduced 50 original IPs from across Asia this year. The Asian Project Market (APM), which focuses on co-production and investment, hosted more than 1,826 meetings during the market period, according to organizers. Local heavyweights including CJ ENM, Lotte Entertainment and Showbox also participated, showcasing their latest K-content. The European Film Promotion (EFP), which has been participating since Busan’s first Asian Film Market in 2006 and Unifrance have jointly opened the European Pavilion with 39 European film companies. The newly established Networking Lounge provided various networking opportunities, including the AFCNet Networking Reception, as well as the Happy Hour hosted by SPCINE, an audiovisual industry promotion organization from São Paulo, Brazil.Ī total of 271 companies from 23 countries, including 32 first-timers, set up their booths this year. Steve McQueen Fuses Wartime Amsterdam and Modern-Day Extremism in 'Occupied City' Trailer We’re hoping to connect with other markets in Europe next year and set up new programs.” “There were a lot of visitors from Indonesia this year. “Given the slow film market globally, I think many were eager to find new business opportunities and share information about the state of the market,” said Hyung-rae Kim, the festival representative. Terrifying visions of her deceased husband and other traumatic events from her past cause her to question her sanity as she tries to make sense of the events that are unfolding before her.Īs time passes, the occurrences become increasingly sinister, and Faye realizes that something far more sinister is haunting her.The Busan International Film Festival’s Asian Contents and Film Market wrapped up its 2023 edition with record attendance from over 2,479 industry representatives, according to organizers.ĭespite industry-wide headwinds, attendees from sales and licensing companies, buyers, producers and investors gathered in Busan in an expanded exhibition hall at BEXCO, the main venue, to trade content ranging from films and videos to such intellectual property (IP) as novels and digital comics. As she tries to find solace in the peace of the isolated cabin, she begins experiencing inexplicable phenomena that she cannot explain. About: Faye is a horrifying psychological thriller that follows the story of a successful self-help author named Faye who retreats to a cabin in Louisiana to pen her latest book while still coming to terms with the recent loss of her husband.
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